INDIGO Home University of Illinois at Urbana-Champaign logo uic building uic pavilion uic student center

The Ecole des Beaux-Arts de l’Indochine: Victor Tardieu and French Art Between the Wars

Show full item record

Bookmark or cite this item:

Files in this item

File Description Format
PDF Simonetti_Marie-Agathe.pdf (27MB) (no description provided) PDF
Title: The Ecole des Beaux-Arts de l’Indochine: Victor Tardieu and French Art Between the Wars
Author(s): Simonetti, Marie-Agathe
Advisor(s): Dubin, Nina
Contributor(s): Higgins, Hannah; Taylor, Nora
Department / Program: Art History
Graduate Major: Art History
Degree Granting Institution: University of Illinois at Chicago
Degree: MA, Master of Arts
Genre: Masters
Subject(s): Indochina French art interwar Victor Tardieu academism landscape painting Paris Colonial Exhibition Ecole des Beaux-Arts de l’Indochine
Abstract: The thesis examines Victor Tardieu, the director of the École des Beaux-Arts de l’Indochine (EBAI) in the colonial cultural context of the interwar era in France. The EBAI, founded in 1924 was a School of Fine Arts following the curriculum of the École des Beaux-Arts de Paris transposed in colonial Hanoi. Despite its manifest colonial background, the current research published on the EBAI does not fully address the ideology behind the creation of such a school in Indochina and its role in French colonial and colonial art discourse. I argue that the art produced by the EBAI was strongly influenced by Tardieu, whose conception of art reflected France’s colonial civilizing mission, the academism of the School of Fine Arts, and nationalistic nostalgia for a French art, which was expressed at that time notably through landscape painting. In order to reveal Tardieu’s preeminent role at the EBAI and his Beaux-Arts inspired mindset, I used Tardieu’s letters and writing, accessible through the fonds Victor Tardieu. For Tardieu, adopting the Paris School of Fine Arts’ structure would inscribe Annamite art into the tradition of a grand French art. Tardieu’s “grand French art” reflected an outdated vision at odds with modernist trends in Paris. Tardieu’s outdated vision, however, corresponded to a return to a less abstract mode of expression in France, a rejection of cubism and a return to landscape painting during the interwar period.
Issue Date: 2016-10-19
Genre: thesis
Rights Information: Copyright 2016 Marie-Agathe Simonetti
Date Available in INDIGO: 2018-10-20
Date Deposited: 2016-08

This item appears in the following Collection(s)

Show full item record


Country Code Views
United States of America 72
Russian Federation 46
China 32
Ukraine 16
Germany 6


My Account


Access Key